Marisa Anderson performing from ‘The Anthology of UnAmerican Folk Music’

(O)utpost Hillevåg Fall 2026

OH - SHIT (Outpost Hillevåg - Stavanger Hillevåg Internasjonale Teater) @ Flintegata 4

Marisa Anderson performing from ‘The Anthology of UnAmerican Folk Music’

November 20 @ 20:00

Acclaimed guitarist Marisa Anderson plays a solo concert performing from her recent release ‘The Anthology of UnAmerican Folk Music Vol. 1’ (Thrill Jockey-2026) and following up on her stunning set at Outpost Flørli 2025.

Marisa Anderson channels the history of the guitar and stretches the boundaries of tradition. Her playing is fluid, emotional, and masterful, featuring compositions and improvisations that re-imagine the landscape of American music. The New Yorker calls Anderson ‘one of the most distinctive guitar players of her generation’, and NPR refers to her as among ‘this era’s most powerful players’.

The Anthology of UnAmerican Folk Music is a collection of nearly one thousand songs culled from the private record collection of the late Harry Smith. Assembled by Anderson after a chance encounter led to an opportunity to study and explore this treasure trove of music, the Anthology focuses on music from places that the United States has been in conflict with since 1970: Southeast Asia, the USSR and the Arabic and Islamic regions of the world. In Volume 1 Anderson presents her own deeply personal iterations of nine songs from the Anthology. Composed, transcribed and arranged through a process of trial and error, deep listening and research, Anderson charts a musical course from Afghanistan to Vietnam via Yemen, Cambodia and Turkmenistan. Interpretations of compositions ranging from Pakistani qawwali to Syrian taqsim are played with Anderson’s deft and practiced hands. Each piece on the album stands as a dialogue between Anderson and the original source recording, refracted through the prism of her own unique musical lens.

In addition to her solo work, Anderson has recently released 2 duo albums with legendary drummer Jim White, and collaborated with William Tyler on 2021’s Lost Futures and contributed to recordings by Matmos, Tara Jane O’Neil, Beth Ditto, Sharon Van Etten and Circuit Des Yeux, among others.

Further notes on the ‘Anthology’: The ongoing project of the Anthology centers curiosity and a commitment to deep listening as it seeks to build bridges with communities and cultural practices from across the globe. Anderson openly acknowledges the limitations she was working with which include an historic lack of access to traditions outside of US markets and frames of reference, improper documentation within the source material, and the need to operate within a finite amount of time for explorations of vast cultural traditions. For Anderson, these are key pieces to the dialogue. “I am a musician, not an ethnomusicologist, or an anthropologist,” Anderson notes. “I’m curious about how music is made, organized and shared. I am interested in how people and music move across the world, how war, migration, nomadism, colonization and contemporary and historical economic dynamics affect music and musicians. What is the musical relationship of people to place? How is that relationship altered when shifting borders or global conflicts curtail movement or force migration into or away from a place? What do we carry with us when we leave home, and what do we bring home from faraway places?”

‘One of the best emotional mediums in the field of solo guitar, Anderson is a master of lovely melancholy.’ - Pitchfork

https://www.marisaandersonmusic.com

https://marisaanderson.bandcamp.com/album/the-anthology-of-unamerican-folk-music